If you are younger than a certain age you may not be familiar with the comic genius of P.G.Wodehouse – that’s W-O-D-E-H-O-U-S-E, but pronounced Woodhouse. Why not? His novels and stories were the consolation of my teenage years, when schoolwork and examinations seemed to fill the whole horizon. For light relief there were always the books of P.G.Wodehouse.

He was the creator, among many other things, of the Jeeves and Wooster stories, in which an idiotic young man about town is saved from numerous disasters by his suave valet Jeeves.

Here’s a quote from Jeeves and the Ties That Bind that summarizes Bertie’s perpetual dilemma.

“Madeline Bassett, daughter of Sir Watkyn Bassett of Totleigh Towers, Gloucestershire, had long been under the impression that I was hopelessly in love with her and had given me to understand that if she ever had the occasion to return her betrothed, Gussie Fink-Nottle, to store, she would marry me. Which wouldn’t have fit with my plans at all, she, though physically in the pin-up class, being as mushy a character as ever broke biscuit, convinced that the stars are God’s daisy chain and that every time a fairy blows its wee nose a baby is born. The last thing, as you can well imagine, one would want about the home.”

Nobody else wrote (or writes) like that.

These giddy tales were splendidly incarnated by Hugh Laurie and Stephen Fry in the Masterpiece Theatre series which ran for four seasons in the early 1990s. The running joke in these books – and it’s a joke as old as Shakespeare – is that the servant is smarter than the master, and not just smarter but also more of a gentleman. The plots are chaotic and complicated, but most of them concern the eternal struggle by Bertie Wooster to avoid marrying a succession of ghastly women – notably the appalling Madeline Bassett.

P.G.Wodehouse, or “Plum” as he is affectionately known by his fans, created a fictional world in which a giant pig called the Empress of Blandings, a passion for newts, or the correct arrangement of a white tie were infinitely more important than death or taxes, or even school examinations. It wasn’t a fantasy world on the lines of Harry Potter, but a wildly exaggerated version of a real world that had existed once upon a time, when Wodehouse was young – a world of idle young gentlemen and flighty women, suave servants and eccentric aunts. As a teenager, I badly wanted to enter that world. I especially wanted to be an idle young gentleman with a valet.

I was lucky to grow up with Wodehouse. Some critics say that he was the finest English comic writer since Shakespeare. He had splendid timing, just the right amount of erudition, and a marvelous way with words. He was also enormously prolific, producing 126 books with titles like The Brinkmanship of Galahad Threepwood and A Pelican at Blandings Castle, plus over fifty plays and musical comedies, and hundreds of short stories. He was still busily writing in the year of his death at the age of ninety-four.

Although his stories and settings are so quintessentially English, P.G. made his reputation and his fortune in the United States. He came here in 1946 and lived in New York and Hollywood until 1955, when he and his wife Ethel settled just down the road from us in Remsenburg, Long Island, on a twelve acre estate by the sea. There he lived happily for the last twenty years of his life, surrounded by dogs and cats and still spinning his wonderful stories. He was belatedly  knighted  and became Sir Pelham Grenville Wodehouse in 1975.

P.G.Wodehouse is worth remembering this week and every week for two reasons. One is that he was born a hundred and forty years ago this month in the rather boring town of Guildford, England. The second and more universal reason is his humor, which he never lost even when interned in Germany in the Second World War. Wodehouse’s subject was the human comedy – the endlessly entertaining contrast between what we pretend to be and what we are. He helped me to get life in perspective, to “see the joke,” which isn’t easy when you’re a teenager. The sad and pedestrian books now sold as “Young Adult” novels – full of family and school problems and facile solutions – are a poor substitute for the inspired satire of a writer like P.G. Wodehouse.

I think the evidence for P.G.s quality is that he still has fan clubs all over the world – the biggest in India, Russia and Japan, and of course in England. Millions and millions of people must have laughed out loud at his wonderful comic inventions. Come back Plum, we really need you.